Marshall Head
Jim Marshall established Marshall Head in 1962. Jim had a store in London where he sold various musical instruments, most notably drums. Elite clients like Ritchie Blackmore and Pete Townsend urged him to add guitars and amplifiers to his inventory.
Jim interpreted this as a request after hearing their anger at not being able to get the sound they desired. He then, along with a small crew, began to construct amplifiers. The rest, as they say, is history.
The legendary ’59 Super Lead (“Plexi”), a tube-powered Marshall Guitar Head with enormous volume and headroom, was one of the first amplifiers. It could fill even the largest halls. This amp was employed by legendary bands like Led Zeppelin and The Jimi Hendrix Experience, who crank it up to create the renowned Marshall grit.
Since then, Marshall has introduced a staggering number of reputable amplifiers. The 2203 & 2204 heads, introduced in the middle of the 1970s, stand out because they included specialized distortion circuitry and set the tone for amps at the time. This resulted in the JCM800 series, whose “contemporary” sound lay the groundwork for the rock and metal tones of the 1980s. Early in the 1990s, the hybrid Valvestate series debuted in shops, allowing young musicians the opportunity to get excellent valve-like tones at a reasonable cost. The firm created its own line of effects pedals later in the decade, and they have since been available in their catalog.
Series
Over the years, Best Marshall Head has expanded its product line to include combos, acoustic guitar amplifiers, and bass amps, giving guitarists and bassists amazing tone and quality.
The company’s premium JVM amplifiers are pure valve heads or combinations that faithfully reproduce the sounds of its vintage amplifiers. The JVM series, still in high demand more than ten years after its 2007 introduction, is a collection of modern classics. The MG and CODE series are economical solid state/digital monsters that can produce believable valve amp sounds, while the DSL amplifiers offer tube-driven tones within the budget range of beginner/intermediate performers.
Marshall Head
Jim Marshall established Marshall Head in 1962. Jim had a store in London where he sold various musical instruments, most notably drums. Elite clients like Ritchie Blackmore and Pete Townsend urged him to add guitars and amplifiers to his inventory.
Jim interpreted this as a request after hearing their anger at not being able to get the sound they desired. He then, along with a small crew, began to construct amplifiers. The rest, as they say, is history.
The legendary ’59 Super Lead (“Plexi”), a tube-powered Marshall Guitar Head with enormous volume and headroom, was one of the first amplifiers. It could fill even the largest halls. This amp was employed by legendary bands like Led Zeppelin and The Jimi Hendrix Experience, who crank it up to create the renowned Marshall grit.
Since then, Marshall has introduced a staggering number of reputable amplifiers. The 2203 & 2204 heads, introduced in the middle of the 1970s, stand out because they included specialized distortion circuitry and set the tone for amps at the time. This resulted in the JCM800 series, whose “contemporary” sound lay the groundwork for the rock and metal tones of the 1980s. Early in the 1990s, the hybrid Valvestate series debuted in shops, allowing young musicians the opportunity to get excellent valve-like tones at a reasonable cost. The firm created its own line of effects pedals later in the decade, and they have since been available in their catalog.
Series
Over the years, Best Marshall Head has expanded its product line to include combos, acoustic guitar amplifiers, and bass amps, giving guitarists and bassists amazing tone and quality.
The company’s premium JVM amplifiers are pure valve heads or combinations that faithfully reproduce the sounds of its vintage amplifiers. The JVM series, still in high demand more than ten years after its 2007 introduction, is a collection of modern classics. The MG and CODE series are economical solid state/digital monsters that can produce believable valve amp sounds, while the DSL amplifiers offer tube-driven tones within the budget range of beginner/intermediate performers.